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黑蚂蚁影院

超時空金牌小女將
日本日语1998
西曆3996年,人類在許可的惑星上建造了人工衛星,目標是培養第二代的優秀人材。在這叫做大學衛星的衛星中聚集了最強的年輕人,這是以超越界限及鍛煉身體為目標,表現出人類的熱情。跟著,這熱情在每年一度的大會中爆發,這就是大運動會。 在大運動會取得優秀成績的學生,便可獲得人類的最高稱號“宇宙撫子”。這是在戰士有生以來最想擁有的,代表了強而美麗的稱號。這就是大運動會,還有為得到“宇宙撫子”稱號而熱情戰鬥的故事。神崎明的媽媽曾經就是宇宙撫子,所以阿明也以成為宇宙撫子為目標努力訓練。在朋友的鼓勵下,阿明克服了種種苦難,將所有的才能發揮了出來,終於達成了心願。最早接觸大運動會是PC上由SLG製作的遊戲,可惜我培養的阿明只得了第二名,沒看到結局動畫。一怒之下又玩了一遍,這一次是真正去衛星了。後來有機會看動畫,雖然少了那份參與感,可動畫裏人物的內心世界變化就不是遊戲能表現的了,還是看動畫過癮啊。也有機會看了TV版,阿明的媽媽竟然會復活同她決一勝負,實在是出人意料的構思。

黑蚂蚁影院

王牌投手 振臂高挥 夏季大会篇
日本日语2010
本作品主角三桥廉是个希望自己成为所属球队王牌投手的少年,在中学时期被认为靠着爷爷是三星学园经营者的关系,才能成为该校棒球部的王牌投手,因此队友对三桥有着极大的反感,结果不但造成其在中学三年一胜难求,更导致他懦弱、自卑又孤僻的个性,甚至一度考虑放弃棒球。三桥毕业后决定不直升三星学园的高等部,转赴埼玉县投考高校,并进入县立西浦高校就读。他在社团展览徘徊,之后抱着只是看看的心情走到棒球部,没想到意外被教练百枝麻里亚半强迫地加入,而且是全队唯一曾经固定担任投手位置的球员,顺理成章成为西浦高校棒球部的投手。该校棒球部全体成员都是一年级,且刚从软式棒球转型成硬式棒球。三桥在捕手阿部隆也的引导下发挥出苦练而成的极精准控球能力,通过一场场的比赛、兼顾技术及心理层面的严格训练及队友间的紧密互动,三桥逐渐找到自信心及朋友间的信任感,全队携手朝着甲子园优胜的目标迈进。【STAFF】原作:樋口朝「振臂高挥」(讲谈社 月刊「AFTERNOON」连载)监督:水岛努系列构成:黑田洋介人物设定:吉田隆彦总作画监督:高田晃、谷口淳一郎动作作画监督:谷口淳一郎音乐:浜口史郎音乐监督:菊田浩巳动画制作:A-1 Pictures制作:大振制作委员会【CAST】三桥廉:代永翼阿部隆也:中村悠一花井梓:谷山纪章田岛悠一郎:下野纮冲一利:佐藤雄大荣口勇人:铃木千寻巢山尚治:保村真水谷文贵:角研一郎泉孝介:福山润西广辰太郎:木村良平筱冈千代:福圆美里百枝真理矢:早水リサ滨田良郎:私市淳

黑蚂蚁影院

第一神拳
日本日语2000
故事介绍:钓船店「幕之内」的儿子幕之内一步,是个难得的优秀高中生。从小就由母亲独自一人抚养,长大的一步也学会帮忙家中经营钓船店。 高中二年级的春天,一步如同往常般受到不良分子的骚扰,还遭受到一连串的殴打。这时,正巧让经过的拳击手-鹰村守介入,才挽救了一步。由于一步昏倒的关系,鹰村便将一步带回其所属的「鸭川拳击会馆」中。看见一步醒来后的鹰村便以一句「没事就快点滚回家吧」的话,让一步以一种无可奈何的表情边哭边离开。但鹰村还是无法忍受一步如此的懦弱,便画出不良份子中的梅泽图像,贴在沙包上让一步奋力挥拳泄愤。 从未打过沙包的一步,出拳的成果却让拳馆中的练习生们大吃一惊! 就连一步都不知道自己尽然有一拳击倒的神力!与拳手鹰村相遇后,幕之内一步体内潜伏的神拳终于被唤醒,凭努力加上毅力,最后在强者的世界里打出自己的一片天空,实现职业拳手的美梦。 作者森川让次用纯熟的画风,流畅的手法,让人感受到紧张无比的气氛,呈现出一个触动心灵的超级拳手故事。

黑蚂蚁影院

同性恋不是变态东西,变态的是他所活着的社会
西德德语1971
ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

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